Video production for online continues to grow

The bear rouses, from his slumber... yes, it's been a while between posts, but hopefully you can excuse me!

I've read a number of articles this week that have driven me to post again, and surprise, surprise, its another post about online video production (I just can't get enough of it!).

Here's whats got me all excited...

MangnaGlobal, media strategists and forecasters have predicted that online advertising will overtake newspapers as the second largest advertising medium by 2013.

ComScore, have released the latest online video consumption figures with stating, "In Australia, 10.3 million unique viewers consumed online video content during the month, averaging nearly 8 hours per viewer."

And finally, here's another example of big brands taking to the Internet with custom videos designed for the online world... Kevin Bacon for logitech and Google.

TED on why web video powers innovation

Hot on the heals of my last post, here's another great example of web video powering innovation, from one of the Kings of web video innovation - TED.

Online video innovation from catwalks to tennis courts

Credit: Jim O'Connell

Two great articles in the New York Times have again highlighted how much online video is driving innovation and, "has democratized the access to excellence."

First up is New York Fashion Week and the Times' analysis of how fashion labels are now skipping the middle-man and using the web to take the catwalk to the customer. Livestreaming fashion shows straight into retail stores or websites, many brands from Burberry to Marc Jacobs have embraced online video. The integration of live event and retail mediums means that these labels are now ready to make sales as soon as the new design hits the catwalk.

Second, the Times hits the tennis courts and shows how everyone from the juniors to the agents are using online video to study the professionals and find out what it takes to be the next Nadal. Juniors are using online video to study the techniques of the professionals, searching for videos of today's pros when they were juniors. Talent agents are also scouting the web, taking a short-cut to the courts by scanning highlight reels of juniors from across the globe.

As I've said plenty of times before, we're a visual society, we obtain so much meaning from what we see and I think these two examples further prove how online video is driving innovation across the board.

Non-linear video consumption and other fancy terms

A big hat-tip to the folks at Viocorp for pointing me towards a blog post on Glee's new Superfan video player.

The player has been designed for watching re-runs and has some pretty swanky functionality, none-more-so than the ability to drill down into non-linear content. For content producers and marketers alike I can see the salivating already occuring.

From a content producers point of view imagine that a bit-player in the show walks into shot and the fan isn't quite sure of the back-ground of the character - one click and it brings up a bio with background story of how they fit into the show.

From a marketers point of view, those product placements really can work for the money. Context sensitive links will now allow you to click on those sweet kicks the star is wearing and find out where they're on sale.

The other social functions of the player including Facebook and Twitter connections I have already written about previously and more and more these are a given with video consumption.

Truly social and interactive video consumption is coming very very quickly.

Image credit: Glee on Fox

Continued socialisation of TV

NewTeeVee has reported that a new service called Tunerfish via Comcast is emerging and it's being billed as Foursquare for video.

While I'm a little ambivalent towards Foursquare (mostly because of its hijacking of Twitter feeds) I do really like that Foursquare is using gaming mechanisms to build community and this is what Tunerfish will supposedly do for TV.

To understand the potential for a service such as Tunersfish take the example of the Lost finale and its corresponding Twitter-stream (graphic on right from NewTeeVee). For Australia the TV show Q and A has ridden the Twitter-stream well incorporating the #qanda hash-tag into its show each week.

You can see that by combining Twitter and TV the once solitary act of watching TV by yourself is becoming a much more social affair. Tunerfish aims to tap this social wave and amplify its effect by game-ifying (I'm gonna TM that!) it.

Like browsing my Twitter feed to find out what people I follow are watching, Tunerfish will aim to be a social discovery mechanism where you find out what your social circle is watching. Now, for myself, I don't have Pay TV so I only have a limited number of channels to watch, but even still the idea of finding our what shows are popular and then watching them by totally legal and broadcaster friendly means is a good one.

Tunerfish is in private Alpha at the moment so I don't know how it really works but the idea of adding game functions to a solitary/social activity is a catchy one.

From a personal perspective the only question I would have is that will it be service agnostic? Because it is being developed by Comcast will someone need to watch TV via a Comcast service or will it be a generic web app for all to use?

Online video: Amateur supply fuels professional demand

It might just be because I'm the guy within my company that is most frequently using video services, but I'm predicting that over the next five years the need for professional video services will grow sharply.

Here's how I have arrived at this prediction . . .

Without a doubt increasing bandwidth capacity is seeing the phenomenal growth of videos online which in-turn is fuelling more demand for video delivery of content, from news and sports to entertainment and education.

From my own personal experience, the demand for access to conference sessions via streaming video increases with each event. With conference producers like TED leading the way, all other conference producers are recognising that the potential numbers of conference attendees don't end when the bums on the seats are filled - there's a world of other potential virtual-attendees out there.

Online video interviews included in advertising and marketing industry blog, Mumbrella, shows another example where the need for video services is expanding. The delivery of content online is seeing new and old media sources (even Fairfax is included here!) use a mix of written and video news, whichever is most appropriate for the story.

Now, some might say that the You Tube phenomenon means that this increased demand for online video content is being supplied by amateur producers and that traditional video services will wither against the rise of the professional amateur. I think this argument is short-sighted. Yes, amateur video is a factor in the growth of online video, but at the same time as supplying the sector with content it is also creating a larger demand than it can supply.

Case in point are the events that I work on. Up until now we have filmed, in-house, a small number of sessions to be delivered live and on-demand to expand the reach of our conferences. But this type of amateur filming is un-scalable. I can only ever film in the one place at a time, and editing in-house takes time. To meet the increased demand that the initial videos created I need to be able to scale the filming of events to a national and international level. This is where the initial amateur supply has created an out-sized demand for educational video and has in-turn fuelled demand for professional video services that are scalable.

And this is what I predict will be the next five years for online video and its associated services: a small supply of amateur producers creating a larger demand for scalable professional producers.

(image credit: tjmiller)

Continued rise of online video for work and play

From my posts you've probably realised that this year I've really fallen in love with online video and the various ways it can be used for business.

A couple of things have happened in the past few months that I think have strengthened my argument for an increased focus for online video for information dissemination and broader learning goals.

Firstly, Cisco, the behemoth that provides much of the infrastructure the Web lives on, has puts its money behind online video with the purchases of Flip Video maker, Pure Digital Technologies in March, and now video conferencing company, Tandberg, in October.

Supporting this strategy of pushing money and effort into online video collaboration is a report released by US Internet Network Management company, Sandvine, that online streaming video like YouTube and Hulu now accounts for up to 27 per cent of global Internet traffic. This is up from 13 per cent in 2008.

The Sandvine report has some great insights into the growth of "experience now" entertainment like streaming media and the decline of "experience later" applications such as peer-to-peer downloading.

In light of this trend and having the chance to big-note myself, here are some vox-pops videos that our team at work created for our annual CPA Congress event that takes place across Australia. As a team we filmed, edited and uploaded the videos to our YouTube channel and CPA Congress blog all within 48 hours of each event. I think it shows a really positive vibe for the conferences and is a really great promo for anyone considering going to other CPA Australia events or to CPA Congress next year.

I hope you enjoy!

Goin' large from your organisation

Agencies will deride our poor camera work and lack of quality, but this little gem is letting our organisation go large in ways we've never been able to before.

What's in the box is one of the tools that is giving my organisation the opportunity to go out large no only to its members, but also as importantly, to the staff in the offices around the world.

Using a consumer level HD video camera we're now able to record messages from staff and members, stream events live to members in remote regions, and generally be on-call to record important moments in our organisation that otherwise might have been consigned to history.

Here's just a snapshot of what we've been able to achieve in four months:

+ Senior managers recorded a short bio of themselves for members
+ The organisation president recorded a welcome message for members as he was not able to attend an event
+ The CEO and senior managers recorded a warm-up video for a staff event happening overseas
+ A conference session was live-streamed from Perth into Second-Life

... and coming up

+ We'll be recording vox-pops of members attending our annual Congress
+ Live-streaming more conference sessions for regional members
+ And recording many more staff and member stories

Here's what's under the hood:

+ Canon HV30 HD video camera (we chose the HV30 as its firewire out-put allows us to use the camera for live-streaming, something flash memory HD cameras cannot do).
+ Firewire 800 cable
+ Rode VideoMic for awesome sound
+ Plenty of mini DV tapes
+ One really tough case for our travels

You can pick up all that plus a nice tripod for under $1500, that's about one days worth of video from an agency. The biggest cost for our organisation was a Macbook with FinalCut Express as we didn't have one previously, but I'm sure most other organisations have a Mac or two.

One of the greatest things about having a camera inside the organisation is that now for those spur of the moment opportunities we don't need to go to an agency and get a quote, book a time an manage the post-production. Our camera gives us the flexibility to be on-call and record the stories as we need. Sure there's a little additional blood and sweat in editing and encoding the files ourselves, but I'm loving learning a new skill.

As yet none of our Semi-Pro (alright, amateur!) productions have made it to our YouTube channel - all our productions have gone large inside the business. But I'm sure in time you'll be seeing our handy work in the big lights of YouTube. Really, now that you can pick up an HD camera for about $1000 and a studio quality microphone for $150, the (YouTube ready) quality takes care of itself and what we can concentrate on is being on call to capture the best stories we can.